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The Explicit Body in Performance read ebook DOC, EPUB

9780415090254
English

0415090253
Is it performance art or pornography? Since the early 1960s, women in performance art have worked to liberate the female body from the confines of patriarchal delimitation. By the late 1980s and early 1990s, the clash of the rubrics porn and art manipulated by female artists worked to complicate the already embattled debates about the terms of that liberation. This is a study of the controversial and often shocking issues which surround the use of the female body in performance art. Schneider tackles topics which include the post porn modernist movement, censorship by the New Right, primitivism, commodity fetishism, and the link between the modern prostitute and the postmodern performance artist. Artists and groups whose work she examines include Karen Finley, Carolee Scheemann, Annie Sprinkle and Spiderwoman Theatre., The Explicit Body in Performanceinterrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art. Among the many artists discussed are: * Carolle Schneemann * Annie Sprinkle * Karen Finley * Robbie McCauley * Ana Mendieta * Ann Magnuson * Sandra Bernhard * Spiderwoman Rebecca Schneider tackles topics ranging across the 'post-porn modernist movement', New Right censorship, commodity fetishism, perspectival vision, and primitivism. Employing diverse critical theories from Benjamin to Lacan to postcolonial and queer theory, Schneider analyses artistic and pop cultural depictions of the explicit body in late commodity capitalism. The Explicit Body in Performanceis complemented by extensive photographic illustrations and artistic productions of postmodern feminist practitioners. The book is a fascinating exploration of how these artists have wrestled with the representational structures of desire., What happens when a body is presented as a stage, and dramas unfold across it--is it Performance Art or pornography?The Explicit Bodyexamines the controversial and often shocking issues which surround the use of the female body in performance art. Since the early 1960s, women in performance art have worked to "liberate" the female body from the confines of patriarchal delimitation. By the late 1980s and early 1990s, the clash of the rubrics "porn" and "art"' manipulated by female artists worked to complicate the already embattled debates about the terms of that liberation. Schneider tackles topics which include the "post-porn modernist movement", censorship by the New Right, primitivism, commodity fetishism, and the link between the modern prostitute and the postmodern performance artist. Among the many artists discussed are Karen Finley, Spiderwoman Theatre, Carolee Scheemann, and Annie Sprinkle. Theoretically sophisticated, trenchantly argued and elegantly written,The Explicit Bodywill be illuminating reading for students and teachers of performance studies, women's studies and cultural studies as well as practitioners of performance art.

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